Facebook users now have more control over their privacy as you can now base privacy settings on groups of friends.

This uses the recently-introduced “Friends Lists”, which lets you classify your friends into groups – something which naturally appeals to a library type like me. So you can have a group for university friends, for school friends, for work colleagues, or for those people you don’t really know but you didn’t want to turn down when they asked to be your friend.

You can choose for any given type of information (e.g., your Facebook wall) to specifically allow or excluse a group of friends, an addition to more general settings controlling what’s visible to all of your friends and what’s visible to your networks.

So, for example, you might not want work colleagues to be able to see your status or photos of you behaving drunkenly at university (or last night for that matter). But you might be happy to give them access to your wall, which you don’t want to let your mum see. The new privacy settings are sufficiently granular that you can exclude a whole friends list from seeing photos tagged of you, but exclude just one friend (e.g., your mum) from viewing your wall.

The new system succeeds the all-or-nothing approach of “limited” profiles – and anyone who you’d previously set to limited will now be on a “Limited Profile” friends list. The changes also include a “Friends of friends” concept in case you want to make some information available to that group.

As referendums are in the news of late, I thought this excerpt from The Times of March 1911, which I stumbled upon yesterday (as you do), might be of interest:

With regard to Lord Balfour‘s Reference to the People Bill, it is expected that at least two days will be occupied by the second reading debate. It is probable that in Committee amendments will be moved limiting the scope of the measure, which as it stands would not only allow either House to demand a Referendum on any legislative proposal, but also gives that privilege to a minority of 200 members in the House of Commons. Some Unionists think that the purpose of the Bill will be served if it is confined to the setting up of the machinery for the Referendum, leaving for definition in further legislation the occasions on which it is to be resorted to.

There’s a long preview of Brian Paddick’s autobiography Line of Fire in today’s Mail on Sunday. The book will, the article says, “offer an insight into police culture and practice – from the era of Life On Mars to the era of the suicide bomber.”

Paddick is, of course, the Liberal Democrats’ candidate for Mayor in May’s London elections. His thirty years in the police force make him the ideal person to lead the fight against crime in London, and those three decades of experience are charted in his book, from the Brixton riots to the shooting of Jean Charles de Menezes. Here’s a morsel from the Mail:

Whenever I went out on night patrol with one particular pandacar driver, the first stop was the “tube station” – the off-licence.

We would buy a couple of “tubes” of Foster’s lager which we stowed under the front passenger seat. We would wait for a lull, go to Kentucky Fried Chicken and then sit in the car eating and drinking lager.

In those days the unofficial policy was to try to avoid arresting people for drink-driving – because police were drink-driving themselves.

Line of Fire is released on March 25th.

It’s Eurovision time again – hurrah!

This May there will be not one but two semi-finals – that’s three Eurovision TV shows in one week. My my. The UK, of course, goes straight through to the final, regardless of how badly we did last year.

But before we can do that, we need a song, and tonight’s the night we get to decide who will represent us in Serbia. Not for the first time, I won’t have a chance to vote in the selection, but it’s a sacrifice I’m prepared to make.

Once again, the singers include a healthy share of has-beens, but this year reality TV shows are represented in even more abundance than before – and the format positively encourages it.

There are six contestants, divided into three pairs: solo acts, groups, and, ahem, Joseph versus Maria. A studio jury, headed by Terry Wogan, will choose one act from each pairing to face the public phone vote, along with one of the remaining three. Then, in a second show tonight, the two acts receiving the highest share of the vote will sing again before one of them is chosen as our entry, again by public vote.

So who are these audacious songsters?

The solo acts are X-Factor loser Andy Abraham with the passable Even If and former EastEnder Michelle Gayle with Woo (U Got Me). Michelle Gayle has had the most previous success of all the acts, although the only time I’ve seen her was a couple of years ago and she was doing a PA in a club in Blackpool.

Even If is pleasant enough background music, but there’s nothing special about it (a statement that can be applied to most of the entrants). Woo (U Got Me), as it’s slightly silly name suggests, is more fun and, were I part of Terry’s team, I’d probably put it through ahead of Even If.

The two groups acts are both all girl groups. LoveShy (they didn’t learn from Hear’Say, did they?) have a reality TV provenance, but I’m not familiar with them so I’ll let Pop Unlimited explain:

Popstars: The Rivals rejects Emma Beard and Aimee Kearsley still haven’t taken the hint. Refugees from Clea, who miraculously managed to release three albums, the new duo LoveShy are in the running with Mr Gorgeous. […] I’m not sure they’ll really cut it live.

The other group is trio The Revelations with a track called It’s You. Group member Annika is from Sweden, which can only help.

Mr Gorgeous is, to my surprise, quite catchy, contemporary pop with something of a Girls Aloud sound. It’s You has a very sixties feel to it, which apparently is the group’s style. Either could probably be an OK Eurovision entrant.

Which leaves us with Any Dream Will Do failure Rob McVeigh with I Owe It All To You and How Do You Solve A Problem Like Maria? failure Simona Armstrong with Changes.

I Owe It All To You begins like a million Shayne Ward/Westlife/Steve Brookstein written-for-male-reality-TV-show-winner snoozefests (that’s an actual genre). It comes slighly to life about 60% of the way in, but that’s one-and-a-half minutes too late. Missed opportunity for a Eurovision key change towards the end too.

Changes is marginally better but nothing exciting. I’d probably choose it ahead of IOWATY, but I wouldn’t let either of these anywhere near Belgrade. My only advice to voters: pick one of the other four.

You can listen to clips of all six songs on the BBC’s Eurovision website. Eurovision: Your Decision, with Sir Terry Wogan and Sir Claudia Winkleman, is at 7pm tonight, with the results show at 9.30pm. Happy voting!